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Kellner collection A minor BWV 942 Difficulty 2 Preludes from the J. Kellner collection E minor BWV 941 Difficulty 2 Preludes from the J.

Kellner collection D minor BWV 940 Difficulty 2 Preludes from the J. Kellner collection C major BWV 939 Difficulty 1-2 Preludes from the J. Bach G minor BWV 930 Difficulty 2 Preludes for Beginners C major BWV 933 Difficulty 2 Preludes for Beginners C minor BWV 934 Difficulty 2 Preludes for Beginners D minor BWV 935 Difficulty 2 Preludes for Beginners D major BWV 936 Difficulty 2 Preludes for Beginners E major BWV 937 Difficulty 2 Preludes for Beginners E minor BWV 938 Difficulty 2 Preludes from the J. Bach F major BWV 928 Difficulty 2-3 Preludesfrom the Clavierbüchlein for W. Bach F major BWV 927 Difficulty 2 Preludes from the Clavierbüchlein for W. Bach D minor BWV 926 Difficulty 2 Preludes from the Clavierbüchlein for W. Bach D major BWV 925 Difficulty 2-3 Preludes from the Clavierbüchlein for W. Bach C major BWV 924 Difficulty 2 Preludes from the Clavierbüchlein for W. Johann Sebastian Bach (1685-1750) Small Preludes and Fughettas Editor: Walther Dehnhard Fingering: Walther Dehnhard Content: Prelude and Fugue A minor BWV 895 Difficulty 3 Prelude and FughettaD minor BWV 899 Difficulty 2-3 Prelude and Fugue E minor BWV 900 Difficulty 3 Preludes from theClavierbüchlein for W. They are to be considered as suggestions and encouragement to study works the execution of which had not been laid down to the last detail, thus opening up a wide range of creative possibilities for teaching.Book Description paperback. The notes on interpretation and the critical remarks provide information on further aspects of the performance practice. A suggestion has been made, by means of an example, for the realization of the ornament signs of Sinfonia No. Ornamented versions from copies by Bach's pupils providing an insight into Bach's ornamentation have been printed separately any mixing of the different versions has been deliberately avoided. The new edition of the Wiener Urtext Edition follows consistently Bach's autograph fair copy.

And they still are! For piano pupils, there is no getting away from them, for their basic demands, that is 'to learn to play in tune' and 'to achieve to play in a cantabile style', are still valid. Johann Sebastian Bach's Inventions and Sinfonias, better known as two- and three-part inventions, were an integral part of the teaching repertoire used in the composer's piano lessons.